Monday, January 28, 2013
Sunday, January 20, 2013
Monday, January 14, 2013
Tuesday, January 8, 2013
Sunday, December 30, 2012
At the Mercy of the Mob... black and white final
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| (click to enlarge) |
And here's the final version of my latest illustration for Alfred Hitchcock's Mystery Magazine (pencils here).
My goal with this illustration was to create a dynamic black and white composition full of contrasting angles (the placement of the long lights above, the top of the desk, the captive guy's legs, the angle of his torso and arms, and just for good measure the beams of light streaming down from above). I wanted the areas of black to emphasize and play off of these angles even more. I often work my blacks into my illustrations in a free, more abstract way... they don't always reflect the properties of light. In this drawing, the aim is to have the blacks work in their own way, with their own inner logic, to compliment the composition so that when you squint your eyes you get a dynamic, interesting abstract image in its own right. It's also important that everyone's faces are hidden, or partially obscured, to add to the feeling of anxiety and claustrophobia. At the same time, the woman's face is partially revealed because of the role she plays in the story.
Can't say any more than that! Look for the illustration and the accompanying story in the upcoming issue of Alfred Hitchcock Mystery Mag...
As always, Corel Painter 11 + Wacom Cintiq 21UX.
Tuesday, December 18, 2012
Tuesday, December 4, 2012
Lil' Thief
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| (click to enlarge) |
Tuesday, November 27, 2012
Keyboard Player (5 min. SketchTime iPad Sketch)
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| Keyboard Player (detail) |
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| Keyboard Player (click to enlarge) |
As a reminder, you can see all my iPhone and iPad sketches at my dedicated iOS sketching site: iosketch.tumblr.com !
Tuesday, November 20, 2012
Chance Encounter iPad Sketch
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| Chance Encounter (detail) |
Tuesday, November 6, 2012
Lil' Thief... (sketch)
Process sketch for a new illustration. The drawing took about half a day (lots of referencing old photographs on the net). You may notice that the woman's torso has been adjusted (she's rotated leftwards slightly from the waist up. She was bent much too sharply toward the man in version 1 of the sketch...)
Done using Corel Painter 11's awesome "real 2B pencil" setting on Wacom Cintiq 21 UX.
Done using Corel Painter 11's awesome "real 2B pencil" setting on Wacom Cintiq 21 UX.
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